The music of The 1975 seems to define 2020 , Brit awards

On their latest album, Notes on A Conditional Form, The 1975, a British band, open with a track that features a monologue by the Swedish teenage environmental activ ist Greta Thunberg, who calls for civil action against the relentless exploita tion of the earth's resources  .  The speech, recorded especially for the album, is not remarkable;  nor does it stray from Thunberg's well - known views about climate change and call for civil disobedience to fight carbon emission and other activities that may harm the environment.  But it sets the tone for the album, a massive 22 - track affair with songs so diverse in terms of genre and conception that it can seem, at least when you first listen to it, over whelming.  The 1975 were formed in Cheshire (outside Manchester) in the early 2000s.  A trio, led by frontman Matty (Matthew) Healy, The 1975 began by covering British punk songs but soon turned into a feisty experimental outfit unafraid of exploring new sounds and pushing what can be called the conven tional boundaries of pop music.  Their high - energy live performances and early singles quickly got good radio play and garnered fans, first in Britain and then the US and elsewhere.  Notes On A Conditional Form is the band's fourth LP and is supposed to be a sequel to their third, A Brief Inquiry Into Online Relationships (2018).  It's one of those albums that requires repeated play before you can fully absorb the versatile and constantly transforming work of the band.  After Thunberg's speech on the opening track, the band takes off with a song titled People, a throwback to punk'sglo rious years, raucous, with angry lyrics Wake up, wake up, wake up / It's Monday morning and we've only got  a thousand them left / Well, I know it feels pointless and you don't have any money but we're all just gonna try our fucking best / Well my generation wanna fuck Barack Obama Living in a sauna with legal marijuana).  But then, abruptly, the mood changes: The third track is an instrumental symphonic interlude titled The End (Music For Cars).  The track that follows is a synth - fueled dance track, Frail State Of Mind, com plete with auto - tuned vocals and an up - tempo beat.  That's the way it goes.  Notes On A Conditional Form keeps you guessing where the band is going to take you next with its experiments: electronica;  soft acoustic songs, glam - rock's excesses ... everything is packed into a single album.  There's an especially exquisite duet, Jesus Christ 2005 God Bless America, on which Healy is joined by American indie singer - songwriter Phoebe Bridgers for a tender love song.  And another track, If You're Too Shy (Let Me Know), is an upbeat pop extrava ganza on which the guest vocalist is the singer and dancer FKA Twigs.  The band's third album, Brief Inquiry ... was a similar assemblage but with Notes on A Conditional Form, The 1975 has raised their own bar higher and leapt over it.  The trio has evolved so much that if you listen to their debut album from 2013, eponymously titled The 1975 (with the brilliant track Choco late) after you listen to Notes, it might seem like a completely different band.  On that debut album, the band offered a sophisticated fusion of synth - pop and rock, artfully crafted and immediately relatable.  But by the time they got to their second album (I Like It When You Sleep, For You Are So Beautiful So Unaware Of It), they started breaking the mold.  That second full - length was taste of things to come: It gave hint of the band's penchant for experimenting and constantly changing its musical soundscape.  Notes On A Conditional Form can sound like an unusual concept album.  One in which there are some among the 22 tracks that segue into the next seam lessly (like Thunberg's monologue and the track, People, which follows it) but also others that seem like an odd assort ment of songs that draw on disparate genres (a tender acoustic track that is followed by a nightclub - ready dance number).  There is much introspection and self-examination too.  Healy, a mil lennial in his early 30s, has been strug gling with heroin addiction, which he has now been kicked, and the lyr ics in some of his songs deal with his own existential issues.  In Sincerity Is Scary from 2018's A Brief Inquiry ...), he sings And why would you believe you could control how you're perceived / when at your best, you're intermediately versed in your own feelings?  In 2020, which has been an extraor dinary year thus far, the evolutionary aspect of the 1975 seems appropriate.  For many of us, in self - imposed or other forms of isolation, reflection and intro spection has meant that our thoughts and moods flit from one aspect of our lives to another - often in an unpredictable, unconnected way.  The tonal changes in the 1975's last couple of albums (particularly the latest one) seem to provide a soundtrack for that kind of thinking and mood changes.  Healy and the band have said that there could be a sequel to Notes on a Conditional Form, which itself is a sequel to a Brief Inquiry ..., but it's not certain how soon we will get to hear that.  One thing seems certain though: This band will have morphed even more by then.  First Beat is a column on what's new and groovy in the world of music.

Five tracks by The 1975 to bookend this week 

1. Jesus Christ 2005 God Bless America from "Notes On A Condi tional Form 

2." The Birthday Party from "Notes On A Conditional Form 

3. Me & You Together Song from Notes On A Conditional  Form 

4. Chocolate "from" The 1975 

5. "TOOTIMETOOTIMETOO TIME from A Brief Inquiry into Online Relationships'